"I prayed about it," she said, "because I know Elvis was a racist."Īnd yet, as legendary Billboard editor Paul Ackerman never tired of pointing out, the music represented not just an amalgam of America's folk traditions (blues, gospel, country) but a bold restatement of an egalitarian ideal. Blige expressed her reservations about performing one of his signature songs, she only gave voice to a view common in the African-American community. ![]() ![]() This is not, unfortunately, how it is always perceived 30 years after his death, the anniversary of which is today. ![]() It was what he believed, it was what his music had stood for from the start: the breakdown of barriers, both musical and racial. In Elvis' case, this simple lesson was not just lip service to an abstract principle.
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